Scotch Whisky

£145.00

Rare Mid Century Modern Italian piece of collectable pottery, which is now quite rare by Piero Fornasetti. A dish /ashtray depicting King Edward I Old Blended Scotch Whiskies Label, Made in Italy, ca.1950s.

This particular piece is now a real collectors item. Still fabulous in its colouring, rich cream background, vibrant red and black transfer decorations. Transfers in beautiful condition, under a wonderful glaze. Large rectangular size, perfect to display, with curled and folded edges.

The back signed and as described below, please also see photos. Back reads: “Questo Posacenere e’ Stato espressamente creato da Piero Fornasetti per la Martini & Rossi” 

AUTHENTIC: Marked as shown on base in black with the famed Fornasetti paintbrush in hand mark: “Fornasetti – Milano, Made in Italy” Made in Italy.

Measures 215 mm  x 135 mm .

Condition: EXCELLENT condition. Colours vibrant, clean; just a couple of nicks in the base, not noticeable and only mentioned for accuracy.

More detailed photos can be emailed please use the contact us form.

In stock

Description

Piero Fornasetti ( 1913 – 1988 )

The Italian artist, illustrator and furniture maker Piero Fornasetti was one of the wittiest and most imaginative design talents of the 20th century. He crafted an inimitable decorative style from a personal vocabulary of images that included birds, butterflies, hot-air balloons, architecture and — most frequently, and in some 500 variations — an enigmatic woman’s face based on that of the 19th-century opera singer Lina Cavalieri. Fornasetti used transfer prints of these images, rendered in the style of engravings, to decorate an endless variety of furnishings and housewares that ranged from chairs, tables and desks to dishes, lamps and umbrella stands. His work is archly clever, often surreal and always fun.

Fornasetti was born in Milan, the son of an accountant, and he lived his entire life in the city. He showed artistic talent as a child and enrolled at Milan’s Brera Academy of Fine Art in 1930, but was expelled after two years for consistently failing to follow his professors’ orders. A group of his hand-painted silk scarves, displayed in the 1933 Triennale di Milano, caught the eye of the architect and designer Gio Ponti, who, in the 1940s, became Fornasetti’s collaborator and patron. Beginning in the early 1950s, they created a striking a series of desks, bureaus and secretaries that pair Ponti’s signature angular forms with Fornasetti’s decorative motifs — lighthearted arrangements of flowers and birds on some pieces, austere architectural imagery on others. The two worked together on numerous commissions for interiors, though their greatest project has been lost: the first-class lounges and restaurants of the luxury ocean liner Andrea Doria, which sank in 1956.

Fornasetti furnishings occupy an unusual and compelling niche in the decorative arts: they are odd yet pack a serious punch. They act, essentially, as functional sculpture. A large Fornasetti piece such as a cabinet or a desk can change the character of an entire room; his smaller works have the aesthetic power of a vase of flowers, providing a bright and alluring decorative note. The chimerical, fish-nor-fowl nature of Fornasetti’s work may be its greatest strength. It stands on its own. Bringing the Fornasetti look into the future is Barnaba Fornasetti, who took the reigns of the company after his father’s death.

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